Saturday 26 February 2011

Ballad of Naomi Campbell



G          Am   D
Naomi, Naomi
C                                       D
Down the catwalk you stride
C          Cm   G    Em
Magnificent, obsidian
                C       D7        G
You're glamour personified

V1
C                   D            G    Am
A tyrant gave you diamonds
           C              D             Em
In a court room you were tried
        Am          D             G      Em
You said that they were dirty stones
          C                   D7    G
They said that you had lied


Instrumental break

G7   C   A7   D7  Eb7  D7


Repeat chorus
 

V2
In court you wore your darkest shades
To hide your hurt inside
You are a goddess after all
What does it matter who died?

Chorus
V3
Scouring Woolworths for a ring
Remember how you cried
It did not happen Naomi
You never were a bride


Baby boy






















To my beautiful grandson, Gianni

On the second day, the rain fell.
Siberian tiger in danger
Arab world still in flames.
Got to get up now, to rescue the tiger
Tell the Libyans what to do.
You just have to lie there looking cute.
Baby boy, l love you.

Rain is falling from an English sky.
Persistent it seeps into us.
It’s your heritage, sometimes, it goes away.
We do have sunshine, laughter and song.
Also, we have light and dark.
We have left and right, right and wrong.
Quite often, picnics in the park.

You don't know that yet, lying
In the soft orbit of your mum
Perfect and pink, in the hot room
Where sweet tea and nurses come.
Don’t take my baby away.
Your mum can be a tigress.
It’s a good thing, little one.

Her softness is the softest kind
Of soft to snuggle into.
There are birds, too. You’ll hear them sing
In the damp London trees.
On a February afternoon.
Got to go now, lot’s to do.
Baby boy, I love you.

Mac or Microsoft

















Note: the PC people won't like this. A state of conflict has existed between the Mac and PC communities for some time. I invite them to respond – in algorithms. I apologise for the rubbish rhyme in the first stanza.

For Tim

Microsoft is a rickety old train
Rattling along an antique track.
The coffee is scalding, the staff are rude
You can hear the engine puffin’.
Mac is a sleek Pullman –
Cappuccinos, a choice of muffins.

Mac is a stylish after dinner speech
With jokes, delivered without notes.
Microsoft is a manual an inch thick
A lecture, a humourless tirade
From a man in a suit –
The Communists are about to invade.

When Microsoft tries to party.
It gets it wrong; it never can.
Two drinks only, in bed by ten.
It tries to yoke wealth and knowledge.
Mac's an arts graduate
Microsoft did science at college.

Mac wears jeans and a casual shirt
Even on work days. But work;
What is that? It's messing about –
A new video, a great new app. Work is pleasure.
Microsoft makes Gates rich
It puts on its jeans for leisure.

Gotta make Gates some more billions.
Mac inhales and says ... yeh.
It has Polo shirts and floppy hair
The last Windows was crap, buy the next one
To fight the new virus.
A stern warning from the old puritan.

Mac is a sports car zipping along
The Pacific Coast Highway. It's all cool
Until a red light blinks. The engine explodes.
Microsoft drives by. It's an old pick-up.
It's got the right tools but
It drives by. Sorry bro, can't fix you up.




Thursday 24 February 2011

Jamie's winners



















Jamie Oliver brings together some of Britain's most inspirational individuals [including Alastair Campbell] to see if they can persuade 20 young people who've left school with little to show for the experience to give education a second chance

NB: for non-UK readers Jamie Oliver is a celebrity chef. He's associated with one of the larger supermarket chains

Rich men pretending to be poor
Will take your money on the door
Campbell's lying don't come cheap
His fee would make you flipping weep
I can teach you Estuary
At my Fame Academy

Being a geezer isn't easy
There's an art to be being sleazy
I showed Nigella some new swerves –
How to profit from her curves
Ramsey's f word came from me
At my Fame Academy

How to swear, ’an ’ow to shout
How to get your ya yas out
People who excel at pouting
Chopping vegetables or grouting
Can brush up their skills – you'll see
At my Fame Academy

My school's where Bono ’an his crew
Learned how to swizz the Revenue
I showed Bob Geldoff what to do
I want your fookin’ money too
You can learn hypocricy
At my Fame Academy

Millionaires who drive Rollys Royces
Ask for help with soothing voices
Want to end this pain, they say
Phone this number straight away
Acquire fake sincerity
At my Fame Academy

Rich men pretending to be poor
Will take your money at the door
Allow celebs to travel free
By paying up your licence fee
And donate financially
To my Fame Academy


Tuesday 22 February 2011

Ordinary man

















I'm not from the north
I'm not a woman
I'm not working class
I'm not black, I'm not gay
I'm not from any minority
I don't fancy pigeons
I'm not a pagan, or a wican –
I don't practice a religion
But, please – don't ignore me.
I'm not red, I'm not blue
I don't have a tattoo
I don't have a disability –
Apart from invisibility –
I'm an oppressed majority
My hair is fairly short
I don't like most sport
I cry quite easily
So please – don't ignore me.
I can't breathe fire, or juggle –
Usually, I'm no trouble –
I don't go after violent crooks
I return my library books
I know, I'm not on your list
The boxes aren't ticked
I'm a bit of a conformist
I'm not a priority
But please – don't ignore me.
I'm not a war hero. My net worth is zero
I don't have a cheesy smile
I can't run a four-minute mile
I don't wear a hat
Your values won't be under attack
Unless you're a paedophile
I'm not ancient, or a juvenile
I don't have silver cutlery
So please – don't ignore me.



Snowdrops















Explanatory note: recently, I've been trying to trace my ancestry in villages in the midlands – Hugglescote, Ravenstone, Edingale – traipsing around churchyards. The Hatchetts were farmers and bootmakers, in a rural area close to the Leicestershire coalfied. The countryside is not pretty, but it's not ugly. Most recently, I visited a place called Croxall on the Derbyshire Staffordshire border. There's no village there now; just a manor house and a Medieval church. Very picturesque. The church is hidden in woodland; the River Mease, which is little more than a brook, runs by it. It's a shared church, without a congregation. Winter evening. Lengthening shadows. Masses of gleaming white snowdrops. No Hatchetts.


To Zoe

Close to Bosworth Field, I finally arrive
at the village of Croxall. A lowering sky
broods over the manorial estate –
Woodlands, a muddy farm track, a gate.
The neat woodstacks and twisted chimneys
show an enclosed order, alien to me.
Somehow, I am oppressed by the fields and trees.
I am a stranger here. I seek patrimony.
Maybe an ancestor trod this narrow track.
A church warden, perhaps; now I'm back.

The church beckons me. Am I going home?
England is written in its soft grey stone
faded and creased, like an old diagram.
Perhaps it will tell me who I am.
With its carved alabaster, it's a relic
of pious times, a Gothic antique –
breathing, from it subterranean crypts
the musty residue of the departed.
The church is halfway towards ruin.
Straining at broken panes, I peer in.

On the old graves, where the past is frozen
a carpet of snowdrops – a white explosion.
I seek meaning, trying to disinter the dead.
Nothing. Sometimes, the past cannot be read.
With a sense of regret, I close the book
return from the crumbling church and the brook
to the car. Often, the past hides from us
in wild places, smothered by moss and rust
wherever we go, however hard we try.
The ancient village is lost, so am I.















Monday 21 February 2011

Berlin or Bournemouth

Sausages and leather trousers
Conversation and good beer
Culture – and the women!
Where am I? You are in Berlin

Where are the striped deck-chairs
The doughnuts, the faded pier?
Excuse the expression on my mouth
I thought I was in Bournemouth

Sunday 20 February 2011

Cold War







To Dawn



The resolute grey of an English Sunday.
There's very little to warble about.
Nature is shrivelled, the sky grey.
Like subdued pensioners, the plants don't shout.
Frozen buds, a half-hearted forsythia
merely announce their intention to bloom.
There's a cataract across the sky
we look out, hopefully, from dark rooms.
The sun is an unreliable fiance
dead leaves lie still on the ragged lawn
like a failed suitor, it seeks our pardon.
And the poor chiff-chaff, why did it come this way
to deliver its happy, liquid song?
It chirps forlornly in an English garden

Saturday 19 February 2011

Bullies: the grip of state control



















NB: Villanelle. Cameron is number two

They are going after the hospitals and schools
The news worsens with each passing day
Really, do they think we are fools?

It's the rich who are re-writing the rules
They don't like paying taxes, apparently
They are going after the hospitals and schools

As well as the libraries and swimming pools
And you can forget your council tenancy
Really, do they think we are fools?

They have the intention and the tools
To erode the Welfare State. Is that OK?
They are going after the hospitals and schools

When the Mail kicks up their ardour cools
Education is defined as a luxury
Really, do they think we are fools?

To make a country that's fit for ghouls
They are giving the whole shooting match away
They are going after the hospitals and schools
Really, do they think we are fools?


Friday 18 February 2011

British tear gas











Hundreds of cartridges of tear gas and other riot control equipment have been licensed for export to the Gulf kingdom in recent months, Foreign Office Minister, Alistair Burt, said.
Sky News, 18 February, 2011

British tear gas – excellent
It's far the best you see.
We're champions at crying
It's made from synergy.

It's great for others but the gas
Has worked for us for years.
It converts our angry mobs
Into blubbing babies – cheers.

The gas was perfected
In UK laboratories
By specialists in weeping
And lachrymosity.

We're born to disappointment
And not to liberty;
Bad weather, disgusting food
And only partially free.

The quince is our idea of fruit
We tolerate pollution.
We're too polite to have a crack
At income redistribution.

Cut to a fireworks display
The disappointed crowds.
Here, the sky is rarely seen
It's covered by dense clouds.

The true poet




















The true poet is a pacifist
Probably gay, quite often pissed
Look at Auden and Benjamin Britten
Britten wrote music – you get the gist!

Both fucked off to America at
The first whiff of powder – not brave that
But both did service to the Muse
Wore her laurels, with pride in fact

Orwell's the stranger on this list
Puritan, hero, novelist
Brave as a lion, fought in Spain
It's a good job that the bullet missed









Thursday 17 February 2011

Why I write















Explanatory note: a grey morning, oozing with mist. I was walking down Roupel Street SE1, past the nostalgic bakery. It's a railway workers' terrace converted for use by today's inner-city rich – MPs and TV producers – a very retro sreet. You can see into the tasteful, expensive interiors, sitting and dining rooms knocked through, stripped floors, rugs. I thought – I'm in the 1930s! Of course, I don't remember them. But I remember people who did and, through stories and memories, they are in range of my imagination. The poem explains my prediliction, in theatre, for vicars and French windows. I have had enough Marxism shoved down my throat in drama, particularly at university, to last me for a lifetime. Hardly fashionable (come to think of it, Marxism is no longer fashionable) but I don't care these days. I have crossed the meridiem.

Glimpsed through long windows, a sitting room.
Curtains blowing in, a vase, polished floorboards
The past is fascinating; it is my loom.

The burnt dust smell of an old gramophone
Droitwich on the wireless dial, fur coats, mothballs.
The cracked leather chairs in my grandmother's house.

People knew their place in life, where to sit –
Colonel, vicar or bank manager.
I like the past. In fact, I remember it.

It is frozen in time, like a waxworks tableau
Providing an eternal narrative
Comic and tragic. The past is where I go.

You don't need swearing to put on a show
The crude embarrassment of agitprop
Stage nudity, or violence. Although

I do like them, a lot, my preference is to shop
In old-fashioned establishments that project
Calm, not chaos. The past is where I stop.

Build a canoe out of plywood


















To Valerie

This is the craft to suit your dreams
It is the design that you seek
Only a few tools are required
You should have her built in a week

Miracles can happen in sheds
Air can be contained, wood can bend
There's somethiing magic about it
With a canoe, you can transcend

Do your work patiently
It's an antidote to sorrow
Slowly, at night, she will emerge
Shining, beautiful and hollow

Now, push your craft onto a lake
Or sea loch, an emerald bay
Floats like a dream, prow a shark fin
All your troubles will float away



Wednesday 16 February 2011

Creep

Explanatory note: may be a real person, may be made up. Maybe a bit of both.

You may not have heard of him yet
This hero on the internet
The English guy who writes cool books –
Leather jacket, bad boy looks

Or host invites you, take a stroll
Through his virtual goldfish bowl
Buy the tee-shirt, walk the walk
Marvel at his table talk

His life's entirely free of trouble
His manner's easy, like his stubble
The modest guy who won the race:
“Right now my novel's in first place”

His accent's vaguely American
He'll reply to you, if he can
His meekness is a handy pose
He's a wolf-man in sheep's clothes

Behind his charming smile, a sneer –
Another prize, another year
“Yesterday, we bought a rug.
My cat is sleeping.” God how smug

His blog and website are his life
His perfect kids, his perfect wife
Millions choose to peer inside
Mass adulation feeds his pride




Tuesday 15 February 2011

An Horatian Ode upon Ms Tara Palmer-Tomkinson's nose















I want a new nose for the Royal wedding says ex-coke addict Tara Palmer-Tomkinson

By SARA NATHAN and BEN TODD
Mail Online. Last updated at 12:01 PM on 24th February 2011

NB: with thanks to my hero, Andrew Marvell, master of the tetrameter

It is a mess for all to too see
Your ruined nasal cavity
Your hope the tragedy
Of plastic surgery

Barely knowing where you were
You giggled in Frank Skinner's chair
Blinded by your need
You thought he was Mike Reid

You fled the paps from bar to bar
And flashed your thighs leaving your car
But your exotic pose
Was outshone by your nose

Too much charlie hoovered up it
Floppy like a finger puppet –
The septum burned away
From your five grams a day

To enjoy a flower's scent
Is a kind of sacrament
But your organ of smell
Is trashed; it's gone to hell

Like Westbrook, the celebrity
There is a hole where yours should be
You're pictured in Hello
A casualty of snow







Sunday 13 February 2011

Time thief
















You take, easily, what the others seek.
In fact, you make them look half-asleep.
You are like quicksilver – a time thief.
Your glorious exploits bookmark the week.
Like the rest of us you must talk, eat –
a mixture or cliche and modesty.
On the dreaming field, you're a deity.
The white football is a world at your feet.
On this planet of ours much is wrong –
too much violence and stupidity.
It all vanishes when you play for us.
Your game is like a beautiful song.
It banishes fear and cupidity.
You are no satyr, you are Orpheus.

Explanatory note: this poem came from three main sources. The first was Wayne Rooney's extraordinary overhead kick goal, scored on the 12th of February, in a game between Manchester United and Manchester City. The second was a reference on a radio programme to Rilke's sonnet sequence devoted to Orpheus (I had never heard of these poems before). The third was subliminal. The radio was softly playing as I slept, fitfully, conveying the infamies of the world on the BBC – Christians slaughtering Muslims, and vice versa. All three congealed in my mind, in some lines and rhymes. I wanted to write a sonnet. I have not used Rilke's form but, crudely and inexpertly, that of Petrarch.




Saturday 5 February 2011

In praise of intolerance














Explanatory note: this poem is based on Wendy Cope's Engineers Corner.

What this country needs is ignorance
Let the unenlightened have their say
Liberals have led us on a merry dance
Let's close down all the libraries, today

Yes, political correctness has gone mad
Modern fads have made us too tolerant
The increase is knowledge is really sad
Too much kindness, a reason to rant

We should put prejudice back on the bus
Make casual racism our position
Foreigners are funny – not like us
Human rights an alien imposition

At first, it was only the students in the town
It's spreading now, from Cornwall to the Fens
Bolshiness is up, obedience down
We are subjects of the Crown, not citizens!

Let's return corporal punishment to schools
Put an end to this naive innocence
Remember good old flogging – Maggie rules!
Turn Britain blue as Stilton, it makes sense




The boys from Loaded





















Explanatory note: I used to drink in the same pub as this man, the Stamford Arms in SE1, as it happens, and his obsequious crowd of stubbled wannabes and girly girls, when the magazine publishers, IPC, were near my office. Sky sports on the big screen, lager, blokeiness – cool Britannia had become cruel Britannia. See the dead look in his zombie eyes. The poem is my first attempt at that old favourite, terza rima.

Look at him, that person that you see
Yeh him – he's the coolest guy alive
With his fags, booze and vulgarity
At least until the next one arrives
His acolytes laugh at his jokes
And the “birds” gaze into his brown eyes
He is the king of the uber-blokes –
The Loaded crew, post-ironic
There is no sexism for them, folks
Perhaps it is merely moronic
But, for now, watch the man with the quiff
For his cruelty is iconic
Being a crude bully is his riff

Wednesday 2 February 2011

Danny Dyer – thespian


















The place was full of flippin’ thieves
There was Winstone, king of geezers
An’ Ritchie, wiv ’is wicked scar
We was neckin’ Bacardi Breezers

We was doin’ the old verbals
When this bloke turns up, bony runt
Do you know who I fuckin’ am?
It's only Micheal Gambon, the ------

No, I says, I'm joshin’ ’im, see
Well, ’e says, you will soon
You're playing against me, darling
At the National Theatre, in June

You're ’avin a laugh, mate, I says
Do you know who I flippin’ am?
’E looks back at me, the twat
I ain't no effing nonce, I'm Dan